Die TYPO im Rückblick [aktualisiert]

Noch nie wurde eine TYPO-Konferenz ausführlicher dokumentiert und ins Netz getragen. Neben der Live-Streams von 6 Vorträgen, haben 5 Fotografen, 2 Video-Teams und 12 Redakteure das Geschehen während der drei Tage für die »Außenwelt« festgehalten.

Ausführliche Zusammenfassungen von Vorträgen gab es hier im TYPOblog, Livemeldungen von Besuchern und den TYPO-Veranstaltern auf Twitter, kurze Interviews mit internationalen Design-Stars auf dem TYPO Youtube-Kanal, Feedback auf der Facebook-Seite der TYPO. Und natürlich haben viele Leute viele Fotos geschossen, die wie jedes Jahr in der Flickr-Gruppe veröffentlicht wurden. Hier könnt auch ihr noch eure Fotoimpressionen hochladen (einfach der Gruppe beitreten).

Da wir natürlich auch neugierig darauf sind, wie unsere Konferenz von anderen aufgenommen wurde, haben wir das Netz nach der TYPO durchstöbert. An dieser Stelle werden wir eine Linkliste mit Veröffentlichungen von Fachmedien und Blogs publizieren, die wir über den Tag immer wieder aktualisieren werden.

Was hat es mit dem Foto auf sich? Es zeigt die bayerischen Zwillinge Martin und Thomas Poschauko, die mit ihrem Nea-Machina-Projekt die Kreativwelt auf den Kopf stellen, und mit ihrer unglaublich charmanten Art die Besucher der TYPO sofort in ihren Bann zogen.

Die TYPO im Rückspiegel:

Twitter:

Das Feedback der Besucher, Moderatoren und Veranstalter, Hashtag #typo11

Blogs:

Frischmilch: TYPO-Berlin-Tagebuch (Archiv Mai 2011)

Slanted: TYPO-IMPRESSIONEN 2011 TAG 1
Slanted: FRANTIŠEK ŠTORM: AKTUELLE PROJEKTE VON STORM TYPE
Slanted: JOST HOCHULI: BAUHAUS, ZÜRICH, BASEL
Slanted: BEEKMANN, ROOS: VETTELETTERS
Slanted: TIM FENDLEY: LONDON LESEN
Slanted: SHELLEY GRUENDLER: PLURALISMUS UND DESIGN
Slanted: MARKUS HANZER: SCHÖPFUNGSGESCHICHTEN/GENESIS
Slanted: APRIL GREIMAN: TOPO/TYPO
Slanted: MARTIN UND THOMAS POSCHAUKO: NEA MACHINA
Slanted: TYPO-IMPRESSIONEN 2011 TAG 2
Slanted: ROBIN KINROSS: DESIGN UND REDAKTION
Slanted: CHRISTOPHER ÇOLAK: ISTAMBULIN – FONT FÜR ISTANBUL
Slanted: DIRK UHLENBROCK: MIT KRAWATTE UND FEZ
Slanted: THOMAS LUPO: ANLEITUNG ZUM AUSBRECHEN

Kosmar: Keynote: Christoph Keese über Tablets als redaktionelles Medium
Kosmar: Oliver Reichenstein: Wir sind das Medium
Kosmar: Kris Sowersby: Wines and Signs
Kosmar: Javier Mariscal: Chico & Rita
Kosmar: Andreas Bersch: Facebook Marketing
Kosmar: Jörn Loviscach: Das Navi fürs Typo-Universum
Kosmar: Heiko Scherer: Storytelling auf dem Tablet
Kosmar: Typo ’11: Der Rest und raus

Typeoff: TYPO Berlin 2011 coverage

Thought of the week: Typo Berlin, in sketchbook form

FontFeed: Relive TYPO Berlin 2011 “Shift” With Evalottchen’s Sketchnotes

Zeichenschatz: Typo Berlin 2011 – Mein Rückblick, Tag 1
Zeichenschatz: Typo Berlin 2011 – Mein Rückblick, Tag 2

Typolution: TYPO BERLIN 2011 Tag 1
Typolution: TYPO BERLIN 2011 Tag 2
Typolution: TYPO BERLIN 2011 Tag 3

I Love Typography: TYPO-Berlin (verfasst von Dan Reynolds)

Fuchsia Pink (Kimya Gandhi): Deutschland

Medien:

PAGE: Best of TYPO 2011
DmiG: Eva Lotta Lamm – Sketchnotes (Interview)
DmiG: Kommunikationsdesign als Marke

3 Comments

  1. Christoph Reichelt|June 14, 2011

    …nachdem die Reaktionen auf den Themenvorschlag “Sustainability” ja eher verhalten waren, frage ich mich, warum man nicht einfach: “Quality” als Thema nimmt. Schön vielseitig ausdeutbar und sicher ein Thema, das uns alle bewegt. Und nachhaltig ist Qualität ja immer…

  2. tom|August 1, 2011

    ich hoffe mal die vorträge waren nicht ganz so langweilig wie es das bild suggeriert

  3. Pingback: Malte Christensen - Typo Berlin 2011 | kopfbunt

Martin und Thomas Poschauko

Martin and Thomas Poschauko

The twins Thomas and Martin Poschauko were born in Rosenheim in 1980 and studied Communication Design at the Würzburg University of the Applied Sciences from 2001 to 2007. Since 2007, they have been running their own studio in Au near Bad Aibling (Upper Bavaria). As designers, they work in the areas of illustration and graphic design and, as artists they focus on painting, drawing and print. The Poschaukos are interested in exploring creativity and design and pass on their knowledge to others as lecturers and authors.
Jost Hochuli

Jost Hochuli

Jost Hochuli was born on June 8, 1933 in St. Gallen, Switzerland. A commercial artist and typesetter by trade, he studied with Adrian Frutiger in Paris. Since 1959, Hochuli has run his own commercial graphics and book design company in St. Gallen. For 25 years, he was the president as well as a designer with the VGS co-op publishing company of St. Gallen, which he co-founded in 1979. In addition, he taught lettering, calligraphy and typography for 29 years at design schools in Zurich and St. Gallen. From 1983 until 1998, Hochuli designed and published the annual Typotron booklet series and, since 2000, the Edition Ostschweiz series
Tim Fendley

Tim Fendley

Tim was the lead-designer of Bristol Legible City and has since developed legible cities for Brighton, Glasgow, Ipswich, Vancouver and Gotham City. He has a passion for cities mapping and a methodology that encompasses diagnostic testing in real situations mixed with product design prototyping techniques. Tim’s recent interest has been to make sense of London, by initiating a project he called Legible London, a capital-wide pedestrian wayfinding system. When complete, it will be the most extensive of its kind.
Markus Hanzer

Markus Hanzer

Markus Hanzer’s path took him from art to political illustration, via theatre to television, then via design management to marketing, writing, researching and mediating. Among the companies he has worked for are ARD, Das Erste, ZDF, RBB, NDR, ORF, 3sat, SAT.1, ATV, Phoenix, Deutsche Bank, Bertelsmann, Allianz, Telekom Austria, bwin, ALPINE Bau, the Technical University of Vienna and the University of Klagenfurt.
April Greiman

April Greiman

April Greiman is a designer, thinker and artist whose projects address all areas and scales of design from communication to textiles and from architecture to new media. Greiman, and her studio, Made in Space, actively challenge interdisciplinary boundaries, investigating parallels and intersections between art and design in all aspects of the work. Since the 1980s, her work has evolved from communication design to projects of increasing scale and complexity.
Robin Kinross

Robin Kinross

Robin Kinross learned typography at the University of Reading in the 1970s. In 1980 he started Hyphen Press to reissue Norman Potter's book »What is a designer«. In the 1980s and 1990s he was mainly active as a writer. Since then he has concentrated on working as editor and publisher with Hyphen Press.
Christopher Colak

Christopher Çolak

Istanbul-based visual communication & type designer, currently working as an art director. MA candidate of graphic design at Marmara University Istanbul. Also a music writer, radio programmer & DJ, founder of music publication Halfstereo.com (http://www.halfstereo.com).
Dirk Uhlenbrock

Dirk Uhlenbrock

Dirk Uhlenbrock was born in Essen in 1964. He has been working since 1991 in the areas of print and web design. He initially worked for gut & boese, then went on to designverign GmbH, and after that to wysiwyg* Software Design GmbH. At the present time he is once again self-employed at erste liga_büro für gestaltung. Uhlenbrock lives with his wife and their 6 children in his home town.
Thomas Lupo

Thomas Lupo

ARTHELPS. This project by designer and artist Thomas Lupo lends a voice in society to the disadvantaged via the media art and design. Lupo’s works have been awarded prizes both nationally and internationally. This former student of Visual Communication from the DESIGN PF today works as an Art Director at Jung von Matt.
Eva-Lotta Lamm ©Marc Thiele

Eva-Lotta Lamm

UX Designer, Illustrator, Visual Thinker (Berlin)

Eva-Lotta Lamm is a User Experience Designer, illustrator and visual thinker. She grew up in Germany, worked in Paris and London for a few years before packing up her backpack and go travelling the world for 14 months. She has over 12 years of experience working on digital products as an in-house designer for Google, Skype, and Yahoo! as well as freelancing and consulting for various agencies and her own clients. After being a (semi-)nomad for 2 years, she is now based in Berlin. Besides her UX work, she has been taking sketchnotes at hundreds of talks and conferences and has self-published her notes in several books (www.sketchnotesbook.com). During her world trip, she documented her experience as daily sketchnotes in her travel diary (www.secretsfromtheroad.com). Eva-Lotta also is a sought after expert and teacher in the area of sketching, sketchnoting and visual thinking. She is regularly speaking at international design conferences and has been teaching sketching workshops at conferences and for companies for over 5 years. She is currently writing a book on sketching interfaces, based on one of her workshop formats. Eva-Lotta is the illustrator of Content Everywhere by Sara Wachter-Boettcher and The User’s Journey by Donna Lichaw, both published by Rosenfeld Media. In her personal sketching practice, she is exploring the area of Visual Improvisation, where she is looking at the parallels between sketching and improvisation and experiments with how the principles from her regular theatre improvisation practice can be used to inspire visual work. Photo: Marc Thiele